![]() ![]() Note that uninstalling Steam deletes the app and all the games you downloaded. Also, you should unsubscribe from all sorts of mailing from Steam coming to your mailbox. If you are completely sure that you no more need Steam, clean up your bank card numbers and other payment information. To delete your Steam account, you need to write to the Steam technical support team that you want to remove your account. ![]() Now, let’s move on to guide you to remove the Steam account. We’ve told you how to uninstall a game from Steam. Select “Ok, remove the listed games from my account permanently.”
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![]() ![]() You wouldn't want that thing to happen to that person. That's why ubuntu is a movement towards a humanity state of mind where you see yourself in others. And you can't forget that - like me, as a kid growing up poor under apartheid and singing in white clubs and whites-only establishments and stuff like that. ![]() ![]() And if we can address what's within us, you know, I mean, what happened to George Floyd - something happened to all of us. And we should have messages that can speak of the times that we're living in. What does that mean?īUTLER: That there are blind spots in white society when it comes to white privilege, racism, segregation, prejudice. RASCOE: In this song, you have the lyrics, if we look within, we won't go without in this house. You know, therefore, songs like "Our Voices Matter" was actually written and inspired by George Floyd.īUTLER: (Singing) Our voices matter. And during the pandemic, the killing of George Floyd triggered so many different emotions and different feelings and fears that I had growing up. And you know, I found my truth in ubuntu as well, you know, because I live in the United States. RASCOE: You're talking about Nelson Mandela, just for.īUTLER: Yes. You know, he never - he addressed them like human beings, even though he was incarcerated. It's really interesting because when Madiba came out of prison, even the prison guards were people that he showed his humanity to. It's the humanity towards others that matters even in the face of apartheid, even in the face of racism, the wickedness and stuff, the hardships that we've seen.īUTLER: (Singing) All of us affirmation, fountains of fire, holy survivors. RASCOE: Ubuntu - it's a school of Zulu philosophy, right? Can you talk to me about what that meaning is? And that's the name of your album.īUTLER: To show humanity to your brother is what ubuntu in South Africa meant. As I was growing up, I began to realize that, you know, I'm a boy from the Cape Flats in Cape Town, and I have my own vocal sound that I needed to develop.īUTLER: (Singing) From the place you meet your very edge, your thoughts held together all alone. ![]() Those are all people that kind of helped us kind of find the strength to write our own music because under the apartheid system, you know, our music was not played on the radio. If it's McCoy Tyner, if it's Herbie, if it's George Benson, if it's Aretha Franklin, Donny Hathaway, Roberta Flack. So whoever had electricity, we would go there, and we'd go listen to the music. Tell me about growing up in South Africa, and then how does that come to play on this album?īUTLER: Well, you know, in South Africa, we had vinyl records, you know, and a lot of our homes never had electricity. And Stevie pulled out one of his harmonicas, and he began to play on the record. Long story short, we kept the conversation going, and he said, meet me at my studios. And Stevie Wonder - I always dreamt and imagined what it'd be like to actually meet him in person. You know, in South Africa, we didn't grow up with music school. Like, what was that like to get a message from him? Because this is someone who you've always looked up to.īUTLER: It's very surreal to me still. Welcome to the show.īUTLER: Oh, I'm so excited to be on your show this morning. RASCOE: Jonathan Butler joins us now from Los Angeles. BUTLER: (Singing) But tomorrow will reflect love's past. ![]() ![]() ![]() A guide to understanding and implementing Web Content Accessibility Guidelines 2.0 is available at: Compliance to these criteria is measured in three levels: A, AA, or AAA. There are testable success criteria for each guideline. WCAG 2.0 contains 12 guidelines organized under 4 principles: Perceivable, Operable, Understandable, and Robust (POUR for short). This certifies it as a stable and referenceable technical standard. WCAG 2.0 is also an international standard, ISO 40500. (Jennifer) Trevett, Jr., MD brother, Francis (Kim) Trevett sister, Andrea Trevett Ern sisters-in-law, Kathleen Trevett, Donna Hepburn, and Beatrice Hepburn grandchildren, Paxton, Beckham, and Brooks Trevett and Steven and Hope Bleck and many nieces, nephews, and friends.Ī memorial event honoring Tom will be held next spring.This website adopts the Web Content Accessibility Guidelines (WCAG 2.0) as the accessibility standard for all its related web development and services. Tom is survived by his loving wife of 53 years, Margaret Hepburn Trevett daughters, Monica Trevett and Millicent (Steven) Bleck, MD son, Thomas N. Donations can be made to these organizations in his name. And as a dedicated member of the Rochester Community, he proudly supported many community-focused organizations, including McQuaid Jesuit High School and the National Multiple Sclerosis Society. “I will always remember him for his positive attitude, loving smile, and above all, his joyful laugh - it was something special to behold.” “He was such a positive person, an eternal optimist, the epitome of kindness,” added Margaret. “He pushed harder than anyone I knew and would not let anything slow him down.” “He kept his diagnosis close to his vest because he had big dreams,” added Monica. And those who knew him knew that successes did not always come easy, as he was diagnosed with Multiple Sclerosis (MS), a degenerative and often debilitating disease, in 1963, at the age of 21. There is no doubt that Tom impacted the lives of many and accomplished great things in the time he had. “He was happiest when he was with friends.” “He loved people,” said Margaret Trevett, wife of 53 years. Even in his later years, Tom was known to stay connected with friends and maintain an active social life. Throughout his lifetime, Tom enjoyed a variety of activities, from theater and the arts to travel, sports, and spending time with friends. “He was truly authentic, empathetic, and was always more concerned with others.” He believed in us and pushed us to be the best we could be,” said Monica Trevett, Tom’s daughter. He will be sorely missed.”Īnd while his professional accomplishments are undeniable, most would agree that Tom considered his family as his greatest accomplishment in life. “Tom left a footprint in this world that we should all hope to emulate. He carried himself with grace and dignity,” said Louis Cristo, a long-time friend and business partner. “Tom Trevett was loved by all who knew him. Throughout his professional career, he spent countless hours in the courtroom, authored a series of books, was recognized with some of the industry’s highest honors, and established a strong and reputable name for himself and his practice. All but one of those years were spent at the firm he eventually lent his name to, Trevett Cristo, P.C. Tom had a successful career as an attorney that spanned more than 45 years. John Fisher College and his law degree from Albany Law School. He received his bachelor's degree from St. Tom was a lifelong Rochester native and a graduate of McQuaid Jesuit High School. Thomas Neil Trevett, a dedicated family man, established legal professional, and active member of the Rochester community passed away suddenly on Septemat the age of 78. Thomas Neil Trevett (March 14, 1942-September 9, 2020) ![]() ![]() ![]() I'm sure someone on here must know the record I'm on about!Īs always any help would be gratefully appreciated. AM.PASS FAQ AM.Pass Card registration information You need to register your AM.Pass card to use all the features of PIU XX If AM. Endor - Pump It Up (Letra y cancin para escuchar) - You got to pump it up / Dont you know Pump it up / You got to pump it up / Dont you know Pump it up. "Love is the message", "Yeah it's gonna be well wicked"Īnd then goes back to the screaming vocal of, Denise ' Dee ' Barnes (stage name Sista D) is an American rapper and former Fox television personality who performed in the West Coast hip hop female duo Body & Soul and hosted a radio show on KDAY, prior to gaining wider fame as the host of Fox s hip hop show Pump It Up, a weekly FOX TV rap music series on. It then kicks into the main Chorus which is ĭirty rumours have been running around about me, I've got to get away. It’s now a pop culture icon around the world. The original Pump It Up game, with its five-step dance pad, was released in South Korea in August 1999, and soon reached North and South America, and Europe, as well as other parts of Asia. Listen honey, listen baby, don't be so fucking serious!" This special edition celebrates the 20th anniversary of Andamiro’s Pump It Up music and dance legacy. Pump it up, rock the bass, hype the music in your face. ![]() Slang To fill someone with enthusiasm, strength, and energy psych someone up: The crowd's chants pumped up the players. We pump the water up from the lake to tanks on the hillside. 'Pump It Up' is a 1978 song by Elvis Costello and the Attractions. Listen to the deluxe album ‘Look Now’ here: Follow. The tune is mixed in between "Let the whole world know" and Give me your Love" which is quite well known I'm told because the mixing in of "Give me your love" is terrible! To force or suck something, as a liquid or gas, from beneath a surface by using a pump: This well pumps up oil from underground. REMASTERED IN HD Official Music Video for Pump It Up performed by Elvis Costello & The Attractions. ![]() I heard the tune on a mixtape simply titled Passion by Andy Carroll. ![]() ![]() ![]() This artist appears in 26 charts and has received 0 comments and 3 ratings from site members. Night Music #204 1989 Carla Bley, Bootsy Collins, Steve Swallow, Allen Toussaint, Karen Mantler & Band, Pretty FatĬarla Bley - Steve Swallow Quintet Live Part 1Ĭarla Bley - Steve Swallow Quintet Live Part 2Įstratto Carla Bley & Steve Swallow - Live in Concert.mp4Ĭarla Bley & Steve Swallow"Sing me softly of the blues"(Carla Bley). The top ranked albums by Carla Bley are Social Studies, Musique Mécanique and Live. Carla Bley - 2004 Umbria Jazz FestivalĬarla Bley sextet 1986 Centro regional de balearesĬarla Bley Combo 1972 Hamburg (G) + Michael Mantler + Karin Krog - Ida LupinoĬarla Bley / Карла Блей - Caucasian Bird RifflesĬarla Bley - Heavy Heart. Rüdiger Krause Carla Bley Steve Swallow LawnsĬarla Bley ◘ '' The girl who cried champagne '' ◘ 1987Ĭarla Bley - Escalator Over the Hill (Full album)Ĭharlie Haden feat. We have a huge collection of Vinyl, CDs, Cassettes & other formats. Heavy Heart is transitioning the sound, there is still some madcap energy present. Ginell In a fanciful press release for this record, Carla Bley wrote that she wanted to make a record that would 'put people in a mellow, sensual mood' as opposed to getting them all riled up as usual. Carla Bley : Heavy Heart (LP, Album) is available for sale at our shop at a great price. An important figure in the free jazz movement of the 1960s, she is perhaps best known for her jazz opera Escalator Over The Hill (released as a triple LP set), as well as a book of compositions that have been performed by many other artists, including Gary Burton, Jimmy Giuffre, George Russell, Art Farmer, John Scofield and her ex-husband Paul Bley.Ĭarla Bley trio - Utviklingssang - Cully Jazz Festival 2012 (Mezzo Live HD)Ĭarla Bley, Andy Sheppard & Steve Swallow - Vashkar The first draft of A Lifetime of Carla Bley was 7000 words. Heavy Heart is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1983 and released on the Watt/ECM label in 1984. Heavy Heart: Decca / ECM / WATT 1984 : I Hate to Sing: Decca / ECM / WATT. (Carla Bley Band) 1983: The Ballad of the Fallen (Charlie Haden and Carla Bley) 1984: I Hate to Sing (Carla Bley Band) 1984: Heavy Heart (Carla Bley) 1985. ![]() Carla Bley (née Lovella May Borg born May 11, 1936) is an American jazz composer, pianist, organist and bandleader. ![]() ![]() You proved that you are both brave and true.” She tapped his head with her wand. Then in a flash, who was there but the Blue Fairy! Geppetto and the Cricket wept over Pinocchio, the boy puppet, who lay still in the water. But where was Pinocchio?Īnd then they found him! Pinocchio was face down, his head in a puddle. Rolling over and over in the sea water, at last they rolled up onto the shore. And then… WHAM!! In one big sneeze, Pinocchio, Geppetto and the Cricket flew out of the whale’s mouth. Soon, clouds of black smoke were rising up. Pinocchio waved his arms over the flame to make a lot of smoke. “This is how we can make the whale sneeze!” he said. He gathered driftwood and got a flame going. “No, I mean for us to get out!” said Pinocchio. “Father, I have an idea! Let’s make a fire.” “Look!” said Geppetto as three fish swam by. “Father, Father, it’s me!” said Pinocchio. When they came to a stop, they saw that they were in the dark belly of the whale. It opened its giant jaws and with one gulp, swallowed Pinocchio! Rushing inside with all the sea water tumbled Pinocchio and the Cricket. In a moment, a giant whale was upon them. Until – what was that, far away? Something was rushing up. ![]() “Father!” but there was no answer.Īll Pinocchio could see around him was blue water, everywhere. “Father!” he called out, paddling the water with his arms. Most of Pinocchio was still made of wood, so he could float on the ocean. “I must look for my father!” Pinocchio jumped off of the dock into the ocean. “Oh no! This is all my fault – HONK!” said Pinocchio. That’s the old man whose son left one morning and did not come back. “Sounds like you are getting a bad cold,” said the man. “I am looking for an old man named Geppetto. “Please sir!” Pinocchio called out to a man by the dock. One good thing about Pinocchio’s new four legs is he could run very fast! Quick, quick, they ran out of Pleasure Island. Then the donkeys are sold! Pinocchio, we have to get you out of here, fast - while we still can!” “Now I get it! Boys get turned into donkeys here. Pinocchio and the Cricket saw a line of donkeys led by a dark stranger onto a truck. Then his other ear popped into a donkey ear, too. Just then, one of his ears popped into a donkey ear. “I must say, there used to be more boys around here,” said the Cricket. “All I see now are donkeys,” said Pinocchio. “Where did all the boys go?” he asked the Cricket. There were even cigars if you wanted one, and pool tables to play.īut after a few days, something was odd. Boys like him could eat and eat, and play all day. What could it all mean? But as Pinocchio looked around, he no longer cared.įor everything the Coachman had told him was true! Heaps of candy all about. The Coachman reached out for something (was it money?) from the dark stranger. “Yep.” The Coachman grabbed Pinocchio and threw him down onto the ground. “You got a boy with you in that coach?” said a dark stranger to the Coachman. “I mean, I decided to sell my books to get tickets,” he said.Īfter a while, the coach stopped. “I had to sell my books to get some tickets.” ![]() “You must know what the truth really is.” “Pinocchio!” said the Blue Fairy in a stern voice. “Why is my nose so big?” Pinocchio cried out. Until Pinocchio could see nothing in front of his face but one big giant nose. “Is that right?” said the Blue Fairy with a frown. “Tell her what happened,” said the Cricket.Ĭould he really tell the Blue Fairy what had happened? What would she think of him? “Tell me something first,” said the Blue Fairy. "How did this happen to me?"Īll of a sudden, poof! There was the Blue Fairy. ![]() But Pinocchio, the Fox and the Cat did not hear him. ![]() “No, Pinocchio, stop!” called the Cricket, who finally got out from under the Fox’s hat. The fair was so bright and colorful and exciting, that the next thing Pinocchio knew he had sold his schoolbooks for tickets. He called, “Hey, you! Sell me those new schoolbooks of yours! That is how you can get money for tickets.” With a sad look Pinocchio said to the Fox and Cat, “I do not have any tickets.”Ī man was selling old things at a table near the gate. He called out, “Come in, come in! Right this way! Get your tickets here!” What a fair it was! By the gate was a man dressed in white. "Let's go to the fair!" And off they went. No one could hear the little fellow as the Cricket tried to call out, “Pinocchio, do not listen to him!” The Fox covered the Cricket with his hat. "He does not know what he is talking about!” ![]() ![]() ![]() Lindy Belley, Marketing Coordinator at Integrity Data, explains how her department is able to save resources by making videos in-house: “I know if I have to turn something out quickly, I can pull it into Camtasia and make all of my changes within minutes,” said Lindy. In contrast, you can make and share your own videos for a fraction of the price, on a much faster timeline. When you hire an outside company, the average cost for a 60-second explainer video is $7,972 and takes around five and a half weeks to complete. Whether you go with Snagit or Camtasia for video creation and editing, making videos yourself saves you time and money. The learning curve is a bit higher with Camtasia, but well worth it (and still much easier to learn than some other powerful video programs on the market).įor a professional-looking video, Camtasia is definitely the one to choose. If you need accessibility, Camtasia offers captioning, not only great for ADA compliance but also handy when you want to give people the option of viewing your content with the sound turned ‘off’ on social media. Make videos interactive with quizzing and hotspots. ![]() It offers the whole toolbox of video creation and editing tools-cuts, splicing, animations, spotlights, keystrokes, callouts, zooms, transitions, backgrounds, music, sound effects, and picture-in-picture webcam. With simple video recording and basic video editing options, Snagit has a low learning curve, so it’s easy to make a complete video from start to finish in just a few clicks.įor more polished video, choose Camtasia. If you want to create or edit fancier videos, Camtasia is the one to choose. That’s pretty much all you can do with Snagit video editing (although you can also make an animated GIF from any short video clip, and take still frames from a video). You can easily record video of your screen toggle between your screen and webcam, and trim out what you don’t want from the beginning, middle or end. Videos and screen recordings: Do you need a basic or fancy video?įor no-frills video, Snagit’s your best bet. When deciding between Snagit vs Camtasia, people tend to choose Snagit for making images for documentation, creating elearning materials, creating written tutorials, and similar tasks. But since it has both image capture and editing, it’s easy to capture and create great-looking, consistently-themed images, and share to popular destinations. ![]() With so many image editing features, some people just get Snagit for that. You can even move things around in your capture and edit or replace text with OCR. Or, create images from scratch with shapes, lines, and more. Resize, adjust colors, and crop your image to the right size. Blur your screenshot or simplify things you don’t want people to see. Add your own notes and comments with callouts, or type directly on the capture. Most importantly, Snagit makes it easy to edit screenshots the way you want. If you want to create and work with images, Snagit is a clear choice. If you want to work with images, go with Snagit. This is priceless when you’re trying to capture online maps, interestingly-shaped images, and nested tables commonly seen in programs like Excel. What can Snagit do with images? Not only can you grab pretty much any type of screenshot – a region, window, and full-screen (and easily adjust margins as you go), Snagit also lets you capture what extends beyond your screen.Ĭapture content that scrolls up and down, including seemingly infinitely-scrolling webpages, and panoramic content that extends beyond your screen-up, down, and side-to-side. Get Started Images and screenshots : Do you want to capture, create, or edit images? Download one of our free screen recorder trials (on Windows or Mac) to quickly and easily record and capture your computer screen. ![]() ![]() ![]() Besides, Tran Bien Literature Temple is an indispensable destination for studying groups, picnics, cultural activities, or simply a sightseeing and relaxing place for students. Lac Hong University's Robocon team attends the ceremony to report achievements held at Tran Bien Temple of Literature.Ĭoming here, students have opportunities to learn a great deal about the historical values and the tradition of encouraging and enjoying study of southerners. ![]() Tran Bien Temple of Literature is also the place to worship predecessors of Vietnam and South Vietnam, and to preserve and enter names of teams and individuals who have obtained considerable achievements, for National festivals and cultural activities. The work, built on an area of 20, 000 square meters makes an architectural style bearing cultural, educational, and heroic fighting traditions of the nation. Conversely, Thanh Long Bach Ho is a high and dry place converging with feng-shui. The other side is the imposing Dong Nai River mingling with small river branches, making a charming poetic picture. One side of the temple is Long An and Buu Long mountains, immense fields with flying herons, and some roofs and trees appearing in the far distance. There is here a big stele carved with the saying “Talent is the life-sustaining element of the nation”. From Van Mieu Mon, ones can see Tran Bien – Dong Nai traditional stele house, Khue Van Cac, Tinh Quang Lake, Three Entrance Gate ( Cong Tam Quan in Vietnamese), the stele house of Confucius and the main temple of forefathers, respectively. The first sight in the temple is Van Mieu Mon (Mon temple of literature). The temple is emerging as a peaceful and cool space, with curved domes and majestic rooms under the shade of green trees standing in harmony with the surroundings. Recently, Tran Bien Literature Temple was rebuilt on the base of the ancient Literature Temple in Buu Long ward, nearby Buu Long Cultural Park, about three kilometers from the center of Bien Hoa City. ![]() Like the temple of literature in Ha Noi, Tran Bien was a cultural educational center for students in the South. Tran Bien Temple of Literature was built in the late 17th century in Buu Long Ward, Bien Hoa City, Dong Nai province. Located in Buu Long ward, Lac Hong University is favored by nature with nearby beautiful landscapes like Tran Bien Temple of Literature, Buu Long tourist area, Cu Lao quarter and so on ![]() ![]() ![]() That said, it’s critical to keep blasting through his Flesh Armor since he has several effects that grow stronger the more Armor he has.It can be frustrating when you just can’t round up enough players for a good board game night. So focus on staying alive and improving your deck until you can turn the corner and take him down. Karakan is the most defensive Master, with his Flesh Armor drawing out the game. (Try to use discard effects to get rid of his green cards while you have a lot of healing in hand.) And don’t be afraid to have low health players skip attacking him for a turn so a healthier player can suffer the Spike damage. Healing is almost a requirement against him. Slaughterclaw is the most violent Master, forcing you to take Spike damage just by attacking him. Instead focus on hitting him as hard and fast as you can, favoring combat-generating cards over long game cards. Not only will he gobble up your good cards, he actually grows in power each time he chows down. When fighting Ingarash the Insatiable don’t rely on your deck getting better over time to eventually beat him. So favor generating cards which keep your purchasing power high. But if you can keep acquiring cards you can keep the Shadows at bay. The Laughing Shadow wants to cover the Market in Shadows and then reveal them to do massive amounts of damage. The Captive is a highly efficient way to clear a Demon Master’s special cards (like Flesh Armor or Spikes) so pick up some healing and acquire him. If not, then focus on clearing minions and strengthening your deck for Part 2. But one of your first big decisions will be whether you think you can defeat the Ruinos Archpriestess before she completes the Ritual. This encounter can play out in many ways, depending on which Major Demon gets summoned. Since the minion version of the Ruinos Zealot or Vexing Imp starts in play, it’s important to focus on stunning whichever one you’re facing as soon as possible, even if it means using a Headshot or Fireball. ![]() If you can stick a few solid champs in your area you should get more value out of them than against other Masters. This Master has tons of frustrating ways to make you discard cards, but it’s not very good at stunning your champions. That said, once the Master has reshuffled and the Escape card is now “active”, getting rid of it with a discard effect can be game breaking!Īnd if you’re fighting the Ruinos Zealot it’s always a good idea to discard his green cards because they move him closer to escape anyway. While it’s usually great to get rid of an early Mastery or Elite minion from the top of the Master’s deck, keep in mind this whole encounter is on a timer - every card you discard brings the Master closer to escaping. (This is especially important when the Master is the Vexing Imp since it brings stunned Imps back into play.) Be Careful Making the Master Discard Better Red Than DeadĮncounter 2 has more Imps than Encounter 1 so it’s all the more important to acquire Necros cards to banish them. If you can stun a Ruinos Ambusher *before* you play a champion, your champion will get to enter play prepared. Ruinos Vampires might not hit that hard, but the healing they provide the Master can make it impossible to win before the Master escapes. So don’t worry too much about your and instead focus on damaging the Master. That’s why there are many enemy effects focused on delaying tactics such as discard, reducing your output, or making it harder to stun their minions. These Masters don’t need to kill you to win they just need to buy time until they can escape. This Encounter doesn’t put as much damage pressure on you as Encounter 1. Remember: It doesn’t matter if some players get stunned as long the master is defeated. ![]() However, if you get the Master low enough there will come a time when you should go for the kill… even if this means leaving one or more players facing lethal minions. That is, try to stun minions in every area rather than focusing your damage on the Master. In the early and mid-game it’s usually a good idea to play for board control. Balance Board Control vs Going for the Kill So all other things being equal, it’s good to acquire Necros cards. This Adventure has lots of Imps, and since the Necros have lots of experience with the little demons, whenever you play a Necros card you get to “banish” every imp in your area. Save your Headshots, Fireballs, etc for these guys. ![]() Since an Elite Minion gets to act on every player’s turn, it’s critical to stun them as fast as possible. Try to keep the Master from leveling up by using discard effects to get rid of Mastery cards. Pay attention to your teammate’s and make sure to spread the healing around. Make sure to stun nearby minions to get them off your teammates’ backs. Try to avoid acquiring cards that would fit better in a teammate’s deck. ![]() ![]() ![]() ![]() We use masculine markers to identify, delineate and locate masculinity. We are just as anxious as Hamlet to find the measures of men, and while we now find these markers in action movies, WWF wrestling, celebrity, western steakhouses, sports bars and sporting clubs, the importance of these signifiers, their necessity in identifying and marking the masculine remains. Today, our markers have not changed so drastically nor do we seek to define a different set of questions. How is a man supposed to act? What should a man believe? How should he face death and what kind of death should a man die? Who does he f*ck? In essence, these are all the same question, reiterated-“What is a real man?” For Hamlet, the answer is found in man’s reason, his apprehension, those ways in which mankind is closest to the gods, in which he is elevated from the beast, his nobility and his action later in the play, the last marker is mankind’s own physicality, specifically the bodies we leave behind us when we die. Hamlet, like every man, seeks the difficult answers to questions that have not lost their significance or currency today. ![]() These markers, have always been used by men to identify themselves, to mark themselves as separate from the realm of beasts and more importantly to take them out of the supposedly inferior realm of the feminine, which has, historically been marked by the absence of these masculine signifiers. They instinctively know that these signifiers must exist like baseball cards, they collect, catalogue, trade and compare them. They nearly hysterically know that there must be something that must alert them to their manliness, to masculinity, something which they can use to take the idea of masculinity outside of the abstract and make it clear, real and actual. Men have always searched for proofs of their manliness, a measure, a marker and even a map to guide them. In fact, as long as there have been men who think and write, this question has been a reoccurring one. In Hamlet, the young Danish student spends the entire play pondering the heavy questions-life, death, and not surprisingly, what it means to be a man. How infinite in faculties, in form and moving howĮxpress and admirable, in action how like an angel, What piece of work is a man, how noble in reason, ![]() |